Donnerstag, 5. Juli 2007

VERVE TODAY 2007


320 KB/s 2 x 80Mb total 1:05:10
VIENNA TENG / Whatever you want
MARK MURPHY / Stolen memories
DEE DEE BRIDGEWATER / Four women
NATALIE COLE / You gotta be
CHRISTINA BJORDAL / How peaceful
DENZAL SINCLAIRE / Follow me, follow you
SONNY ROLINS / Park Palace parade
SILJE NERGAARD / Before you called me yours
MARIA LAGHINA / Do lado de ca do mar
PUNKT FEAT.SIDSEL ENDRESEN / Map
LIZZ WRIGHT / Reaching for the moon
MOLLY JOHNSON / Messin' around
BRAZILIAN GIRLS / Last call ( german language version)
G-SWING FEAT.JIMI BAZZOOKA / Cement mixer
THOMAS QUASTHOF / Ac-cent-tschu-ate the positive
BONUSTRACK:JOHNNY LIEBLING / Mädchen
Password:
spinatosmusicpills


Enjo:-)y

.

SPICE Fred's Bowling Center


320 KB/s 67/62 Mb total 56:57
Genre: electronica
01 Intro
02 Some Funk
03 Turn It On
04 Funkiest Body in Town
05 Higgins 06 Fred's Day Off
07 Gimme What You Got
08 Dark End Street
09 Good Lovin
10 Together
11 Slo
12 Never Let You Down Again
Password:
spinatosmusicpills
Enjo:-y
.

OMD Sugartax ©1991


320 KB/s 62/54 Mb total 51:18
With the split between McCluskey and the rest of the band resolved by the former's decision to carry on with the band's name on his own, the question before Sugar Tax's appearance was whether the change would spark a new era of success for someone who clearly could balance artistic and commercial impulses in a winning fashion. The answer, based on the album — not entirely. The era of Architecture and Morality wouldn't be revisited anyway, for better or for worse, but instead of delightful confections with subtle heft like "Enola Gay" and "Tesla Girls," on Sugar Tax McCluskey is comfortably settled into a less-spectacular range of songs that only occasionally connect. Like fellow refugees from the early '80s such as Billy Mackenzie and Marc Almond, McCluskey found himself bedeviled in the early '90s with an artistic block that resulted in his fine singing style surrounded by pedestrian arrangements and indifferent songs. There was one definite redeeming number at the start: "Sailing on the Seven Seas," with glam-styled beats underpinning a giddy, playful romp that showed McCluskey still hadn't lost his touch entirely, and which became OMD's biggest single at home since "Souvenir." Beyond that, though, the album can best be described as pleasant instead of memorable, an exploration by McCluskey into calmer waters recorded entirely by himself outside of some guitar from Stuart Boyle. Without his longtime bandmates to help him, the results lack an essential spark (Holmes' drumming creativity being especially missed). In a tip of the hat to a clear source of inspiration, Sugar Tax includes a pleasant cover of Kraftwerk's "Neon Lights," with guest vocals by Christine Mellor, while "Apollo XI" uses Dazzle Ships-styled sample collages made up of moon-landing broadcasts, though the song itself isn't much. Even at its most active — "Call My Name" and "Pandora's Box" — Sugar Tax is for the most part just there

01 Sailing on the seven seas
02 Pandora's box
03 Then you turn away
04 Speed of life
05 Was it something I said
06 Big town
07 Call my name
08 Apollo XI
09 Walking on air
10 Walk tal
l11 Neon lights
12 All that glitters

Password:
spinatosmusicpills
Enjo:-y
.